Ready to step into your studio rack or live performance rig, the Behringer FX2000 3D Virtualizer lets you dial in professionally polished ambiance and effects to your entire production. Because great sound starts with an excellent source, the FX2000 has RSM (Real Sound Modeling) technology that can accurately simulate ideal acoustic environments—even in the most challenging locations. However, that’s just the tip of the iceberg. Far more than just a virtual room/reverb vocal processor, the FX2000 covers all your keyboard, guitar, bass, and percussion FX needs with clean and detailed 24-bit studio-grade effects processing. Command up to 11 combinations of amp simulators, distortions, chorus, flanging, filter effects, EQs, and a bounty of ambient effects, each with 7 adjustable parameters, for pin-point sound sculpting.
The control surface features intuitive FX grouping, 5 manual encoders, 6 function buttons, a large jog wheel, and a bright LED for easy hands-on access to over 100 presets and 100 user memory locations. Extensive MIDI capability ensures trouble-free integration with your set-up, and you can save your data via SysEx to protect your important presets.
Onboard Reverbs and FX:
Standard Reverbs: Room, Studio, Stage, Small Hall, Concert Hall, Cathedral, Spring Reverb, Gold Plate, Ambience and Early Reflections Specialty Reverbs: Gated and Reverse Reverb Delays: Stereo, Tape Echo, Ping Pong & NBSP Modulation/Pitch Shifter: Stereo, Vintage and Jet Flanger, Stereo, Analog, Vintage and Ultra Chorus, Stereo, Vintage, and Dual Phaser, Leslie, Pitch Shifter, Vibrato, Tremolo, and Auto Panning Dynamic FX: Compressor, Expander, Gate, Analog Compressor/Limiter, Ultramizer, Denoiser, De-esser, and Wave Designer Psychoacoustic FX: Exciter, Enhancer, Ultra Bass, Stereo Imager, Ultra-Wide, and Binauralizer Filter/EQ: Auto Filter, LFO Filter, Parametric and Graphic EQ. Distortion:
Vocal Distortion, Tube Distortion, and Tri-Fuzz. Plus, Speaker Sim, Lo-Fi, and Ring Mod.
Special FX: Vinylizer, Sampler, Vocoder, Voice Canceler “Karaoke effect,” and Resonator.
